Glenn D. Shirley Western Americana Collection

: The Return of Frank James; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Return of Frank James; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Return of Frank James; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Return of Jack Slade; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Return of Jesse James; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Return of Wildfire; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Roaming Cowboy; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Roaming Cowboy; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Robin Hood of El Dorado; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Shepherd of the Hills; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Shepherd of the Hills; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Shepherd of the Hills; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

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