Glenn D. Shirley Western Americana Collection

: Gene Autry in his favorite room of his San Fernando Valley home (den), with trophies and cups he has won as America's favorite singing cowboy. He looks through album of photos from his Columbia release "On Top of Old Smoky."; NSS Tag: D-Gene Autry-142; Image is a photographic copy. This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: Gene Autry with horse; Image is a photographic copy of a photograph with Gene Autry's signature, "Sincere Good Wishes, Gene Autry." This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: Gene Autry with horse; Image is a photographic copy. This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: Gene Autry's Sensational Collection of Famous Original Cowboy Songs and Mountain Ballads; Image is a photographic copy. This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: Ghost Town Riders; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: Ghost Town Riders; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: Gold Mine in the Sky; This is a photograph of promotional material outside a theatre. This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: Golden Silence; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: Grip of the Yukon; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: Grip of the Yukon; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: Guilty Trail; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: Gun Runner; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

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