The Glenn D. Shirley Western Americana Collection consists of Western-related research materials, photographs, movie memorabilia, books, and other publications. Represented here are the lobby cards, film stills, and photographs from the Collection. The other materials are available for research.
Click here for more information about this collection.
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Rose of Cimarron
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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Rose of Cimarron
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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Rough Riders Round-Up
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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Rough Riders Round-Up
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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Rough Riders Round-Up
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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Rough Riders Round-Up
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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Round-Up Time in Texas
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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Round-Up Time in Texas
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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Rufe Davis and Gene Autry
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Image is a photographic copy. This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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San Antone Ambush
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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Santa Fe Scouts
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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Santa Fe Scouts
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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