The Glenn D. Shirley Western Americana Collection consists of Western-related research materials, photographs, movie memorabilia, books, and other publications. Represented here are the lobby cards, film stills, and photographs from the Collection. The other materials are available for research.
Click here for more information about this collection.
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Strange Lady in Town
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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Strange Lady in Town
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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Strange Lady in Town
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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Sunset in Wyoming
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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Sunset in Wyoming
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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Susanna Pass
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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Tex Ritter with two handguns
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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The Battle of Elderbush Gulch
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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The Black Wolf
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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The Bonnie Parker Story
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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The Bonnie Parker Story
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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The Bonnie Parker Story
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This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.
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