Glenn D. Shirley Western Americana Collection

: The Calling of Dan Matthews; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Calling of Dan Matthews; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Calling of Dan Matthews; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Calling of Dan Matthews; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Calling of Dan Matthews; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Calling of Dan Matthews; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Calling of Dan Matthews; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Canadian; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Cherokee Strip; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Cherokee Strip; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Cherokee Strip; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

: The Cimarron Kid; This image is that of a film still from a copyrighted film, and the copyright for it is most likely owned by the studio which produced the film, and possibly also by any actors appearing in the film still. It is believed that the use of a limited number of web-resolution film still images for identification, critical commentary on the film and its contents, and other non-commercial research purposes qualifies as fair use under United States copyright law.

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